Disneycember
In the month of December, Doug Walker of That Guy with the Glasses reviews Disney movies. Below is the list of episodes, listed in order of their theatrical releases.
2011
Walker decides to review all hand animated Disney movies from Snow White to Winnie the Pooh. He included Tangled and Enchanted for technicality and satire. Several reviews were delayed until January 2012.
Year of |
Film |
Review |
|---|---|---|
1937 |
Snow White and the Seven Dwarfs |
He praises the artistry and individual personalities of the dwarves, but pans the uninteresting heroine, villain, prince, and some plot holes. He says that the film's strong emotional feel is why it ultimately works and holds up to this day. |
1940 |
Pinocchio |
He praises the main character's portrayal, the bizarre and often scary content, and again, the strong emotional content and message, but pans the character of Jiminy Cricket and some plot holes. He also thinks the film should have been about Mr. Geppetto. |
Fantasia |
He declares it his favorite Disney film, as well as one of his favorite films in general, heavily praising the animation, use of classic music, more adult feel, and overall delivery. |
|
1941 |
Dumbo |
He praises the animation, focus on the circus instead of the main character, bizarre tone, and some highly memorable moments. However he does believe the film has a modest feel, not really breaking any new ground like their previous films did. |
1942 |
Bambi |
He praises the artistry, focus on emotion more than character, and strong thematic undertones, feeling that watching a character growing up is more interesting than the usual Hollywood cliches. However, he admits that the cute moments drag on a little and feels that the second half, where Bambi has grown up, is better than the first. |
Saludos Amigos |
He admits to not being impressed, feeling it's too short, has a strange premise, and isn't very interesting, though the animation is nice, as is the culture shown. |
|
1944 |
The Three Caballeros |
He says it's better than Saludos Amigos, praising the impressive and fast paced animation and better shorts, but feels that the wild energy becomes exhausting (comparing the film to being at a party) and that the segments are better off individually. |
1946 |
Make Mine Music |
He feels that, though it isn't as good as Fantasia, it still has plenty of great segments, his favorite one being The Whale Who Wanted to Sing at the Met. |
1947 |
Fun and Fancy Free |
He again feels that the shorts are better off separate, as there's a lack of connection between the two and neither of them feel very cinematic. He also feels that the live-action transitional sequences into them are weird and don't fit with the two shorts at all. |
1948 |
Melody Time |
He feels it should have been called Make Mine Music 2 due to its numerous similarities to the film and wishes that the film ended on Johnny Appleseed, but still enjoys it overall. |
1949 |
The Adventures of Ichabod and Mr. Toad |
He feels that it was what Fun and Fancy Free should have been, with two very cinematic and memorable stories that work well together and are loyal to the source material, and is impressed that Disney secretly made the main character (Ichabod) selfish and made the antagonist (Brom Bones) more like a likeable character. |
1950 |
Cinderella |
He praises the animation, scope, main character, villain, and songs, but feels that the prince is boring and there's too much filler, as well as some very notable plot holes. |
1951 |
Alice in Wonderland |
He praises Katherine Beaumont's performance, as well as the Queen of Hearts and overall delivery of the world, but wishes more of the book was used, or at the very least a sequel to it. |
1953 |
Peter Pan |
He praises the romance, characters, comedy between Captain Hook and the crocodile, and the fact that the film has something for everybody. |
1955 |
Lady and the Tramp |
He praises the point of view the film takes, the well paced romance, and avoidance of usual cliches, but admits that nothing is either particularly bad or particularly memorable. |
1959 |
Sleeping Beauty |
He heavily praises the artistry, music, climax, side characters, and villain, but heavily pans the main characters. |
1961 |
One Hundred and One Dalmatians |
He admits that the film's really only for dog lovers, feeling that nothing stands out except the villain, cat, and climax. |
1963 |
The Sword in the Stone |
He praises the characters, animation, and the wizards duel, but feels that it's somewhat dull and feels like being in school. |
1967 |
The Jungle Book |
He praises the villains Shere Khan and Kaa and the song "My own home", but feels everything else is OK. He also wished it followed the original book better. |
1970 |
The Aristocats |
While not saying it is horrible, he admits that nothing is memorable or stands out in any way, with the possible exception of the two dogs and a pretty entertaining chase scene. |
1973 |
Robin Hood |
He enjoys the loyalty to the story, characters, romance, humor, climax, and action scenes, but wishes that Robin Hood's love interest has more screentime. |
1977 |
The Rescuers |
He gives some praise to some of the characters and the questionable, yet creative story, but pans the character of Penny and the overuse of shallow cute moments and filler. |
The Many Adventures of Winnie the Pooh |
He heavily praises the main character, supporting cast, positive atmosphere, fourth wall jokes, ending, and overall feel of reliving one's childhood. He also says that it's one of the few films that he enjoys more as an adult than he did as a child. |
|
1981 |
The Fox and the Hound |
He praises the set up, friendship, climax, and overall delivery of the premise, but feels that the film would have worked better if it was more mature and less child-friendly. |
1985 |
The Black Cauldron |
He admits that Taran and Gurgi are annoying, Eilonwy being a princess was unneeded, as she has no proof of being so and the Elmer Bernstein score sounds too much like his work in Ghostbusters, but admits that it's not terrible, praising the creative animation. |
1986 |
The Great Mouse Detective |
He highly praises the animation, point of view, characters, relationship between the hero and villain, and climax. |
1988 |
Oliver and Company |
He praises the song "Why Should I Worry?", the animation of the city, Cheech Marin's performance as Tito and the villain's death, but feels that nothing else stood out, and thinks that The Land Before Time, which came out the same time, feels like more of a Disney film than this movie does. He's especially critical of the fact that the film makes the main cast of an Oliver Twist adaptation animals. |
1989 |
The Little Mermaid |
He admits the flaws in the character of Ariel after seeing the Nostalgia Chick's review of the film, but likes her passion, the personality she displays when her voice is gone, and her romance with Eric; and feels that the supporting cast, storytelling on its own merits despite the changes from the novel it was based on, animation, and songs more than hold up even today. |
1990 |
The Rescuers Down Under |
He feels that it's a huge improvement over the first, praising the intensity, and better characters, action scenes, animation, and villain. He finds it ironic that this action-packed film is constantly overlooked while everyone seems to remember the mundane first film, which also showed in their Rotten Tomatoes scores. |
1991 |
Beauty and the Beast |
He feels that it's Disney's most perfect telling of a fairy tale, praising the animation, romance, characters, and songs, but has a minor complaint for the look of the Beast after he turns into his human form. He cites that this as his favorite Disney film outside of Fantasia. |
1992 |
Aladdin |
This was his favorite Disney film as a child, but began leaning a little bit more towards Beauty and the Beast & Fantasia as he got older. He still praises the style of the setting, animation, characters, romance, action scenes, and songs, but feels that some of the humor doesn't hold up and also takes note on the semi-modernization that was to be expected from a satire of the 1001 Arabian Nights. |
1994 |
The Lion King |
He feels it's good, but a little bit overrated. He criticizes the mixed delivery of the message, Matthew Broderick's usual blandness, and the songs, except for "Be Prepared" and "Circle of Life", but giving praise to the characters and huge praise to the animation and scope. |
1995 |
Pocahontas |
He wishes that the film tried something new with its unoriginal story, and feels that the main characters and overall film are boring, though he admits that the animation is nice and thinks the songs "Colors of the Wind" and "Savages" are both entertaining. He's especially critical by the fact that Percy, Meeko, and Flit don't talk, stating that out of all the Disney films, having things in nature talk would actually make sense here. |
1996 |
The Hunchback of Notre Dame |
He praises the loyalty to the book, characters, animation, effort, and scope, but feels that the plot is somewhat forced at times like the romance between Phoebus and Esméralda wasn't intresting, the gypsies potrayal being confusing, and largely pans the characters of the gargoyles. Despite these flaws he still singles out the film as one of his personal favorites from Disney, largely for taking risks and trying its absolute best to adapt a form of source material that was difficult to pull off. |
1997 |
Hercules |
He declares it as one of Disney's weakest films, and feels that the film destroyed popular interest in 2D animated Disney films, panning the style, story choices, similarities to Aladdin, Superman, and Rocky, & rehashed characterization, though he praises James Woods as Hades. |
1998 |
Mulan |
He praises the characters within the army, the comedic expressions, and attempts at culture, but feels that nothing else works. |
1999 |
Tarzan |
He feels that the main characters, animation, and several story ideas are great, but pans the songs by Phil Collins as well as Rosie O'Donnell's performance in general, the fact that the film introduces a villain (Sabor) which should have been the main, then replaces it with another (Clayton), and the fact that Clayton is a cliched villain with no real depth. |
2000 |
The Emperor's New Groove |
At first assuming it wouldn't be good by the casting of David Spade (who he doesn't think is a good actor) as Kuzco, he admits that it's better than expected, but still found it overall just okay and saw it primarily because of its positive reception, praising the villains, the animation and some of the humor, but panning the overall premise and the idea of Disney doing a buddy road trip movie. |
Fantasia 2000 |
He criticizes it for its celebrity appearances but still considers it a good sequel to the original. |
|
2001 |
Atlantis: The Lost Empire |
He likes it better than most, praising the animation, characters, and various story elements, but feeling that the villains' plot gets in the way and fails to deliver the adult content it promised to its audience, primarily due to Disney's signature style and a few silly moments. |
Lilo & Stitch |
He admits that whilst it is a good movie with great animation, the story involving Lilo and Nani's relationship is done so well that the rest of the film doesn't hold up to it. He admits he would've preferred if the film was solely about Lilo's story. |
|
2003 |
Brother Bear |
He feels that the film starts out and ends strong, but falters as it progresses to the middle, and pans the soundtrack of Phil Collins, especially over perfect opportunities for character developing speeches. |
2004 |
Home on the Range |
He feels that the film fails completely, and ranks up there with Disney's absolute worst, ridiculing the pitifully standard plot, forgettable songs, extremely childish approach with the humor, writing, animation style, & characters, and found the fact that Disney helmed it to begin with alienating. Although he admits that Jennifer Tilly's performance as Grace can be funny. |
2007 |
Enchanted |
He reviews Enchanted for being a satire of Disney animated classics, both praising and panning its concept, feeling that it doesn't need to both parody and fall victim to the usual fairy tale cliches. |
2009 |
The Princess and the Frog |
He has mixed feelings about the songs, especially from Randy Newman in general, and finds the plot complicating for his tastes, but praises everything else. |
2010 |
Tangled |
He reviews Tangled for technically being a 2D animated film in terms of the core concept, heavily praising the story, character of the horse, and the animation on the King and Queen, but feeling that everything else is good, yet generic. He also takes issue with a common roadblock in voice acting where even great celebrities can still be recognizable in the role, and ponders why this film was such a success compared to its immediate predecessor. |
2011 |
Winnie the Pooh |
He feels that it holds up as a sequel, praising it for having all the things that made the original so great, but wishes that it was longer and had more stories like the original. |
2012
Walker reviews 3D animated Disney movies, starting with Pixar, and then the other CGI Disney films, with the exception of Wreck-It Ralph (due to its recent release in cinema).
Year of |
Film |
Review |
|---|---|---|
1995 |
Toy Story |
He praises the film for having a well written story, great characters and has its funny moments. The only criticism is how the physicality of the humans aren't perfect, but excuses it for being the first fully CGI animated film. |
1998 |
A Bug's Life |
Although he finds the film to be generic and cliched with boring main characters, especially using the "liar revealed" cliche which he listed as #2 in his Top 10 Worst Clichés list, he finds the characters of the circus bugs to be enjoyable, as well as the animation and, admitting that he doesn't completely dislike the film, he just doesn't believe it holds up as a follow-up to Toy Story, nor does it on its own. He also admitted to finding its competitor, Antz, more creative with a similar premise. |
1999 |
Toy Story 2 |
He applauds it for taking what made the original work and bringing it to a whole new level, with various themes on facing the inevitable and what choices to make, improved CGI animation, and emotional back stories. Although not being a fan of Randy Newman, he praises the song, "When She Loved Me". He also praises the fact the film continues the story from the original instead of simply re-hashing it. |
2001 |
Monsters, Inc. |
Despite being an idea that had been done before, he praises the setups, the climax of the film, the relationship between John Goodman's character and the little girl, and story (despite finding it complicated), but admits that he could not get into the humor or the character development (especially with Billy Crystal and the villains) that the film had to offer. |
2003 |
Finding Nemo |
He praises the characters, atmosphere, the moral being directed more to adults than children and having more drama in a children's film than comedy. |
2004 |
The Incredibles |
Despite finding certain story elements all over the place and wishes for a more balanced focus on Mr. Incredible and his family instead of the former getting the most screen time, he still praises the realistic depiction of families, characters, themes, and action scenes. |
2005 |
Chicken Little |
Despite acknowledging its good intentions, some of its effort, and praising the design of the aliens, he criticizes the main characters for being stock, the cruel and mean-spirited nature of the supporting characters (particularly Buck Cluck), the bizzare story, and the confusing pop culture reference jokes. |
2006 |
Cars |
After listing this film at #10 of his Top 10 Films He Hates but Everyone Else Loves, he decided to go more in-depth in his opinion. Despite good intentions, decent morals, a heartwarming ending, and can see why people liked it to an extent, he found the concept of humanoid cars as characters to be idiotic, the story and characters done to death, most of the jokes falling flat, and the overall feel to be boring. |
The Wild |
Despite taking note on the standard premise, annoying aspects, and obscurity, he praises the creativity of the characters, the villain's backstory, and the jokes (hit-and-miss as they were). |
|
2007 |
Ratatouille |
Although he has similar criticisms as The Incredibles for the relationships between the characters, cluttered plot points, the character of Linguini, and lack of insight into supporting characters, he praises the character design, voice acting, and most of all the atmosphere, which he considers the film's greatest strength. |
Meet the Robinsons |
He feels that it suffers from the same problems as Chicken Little, and criticizes the strange premise, bizarre designs, uncomfortable relationship between the main character and the family, and the terrible pacing due to the film never slowing down or taking a break. However, he gives some praise to some of the characters and humor, as well as the twists (though somewhat predictable) and heavily praises the moral, which he feels redeems the film. |
|
2008 |
Wall-E |
He considers this to be Pixar's equivalent to Lilo & Stitch, in which he found the first half involving Wall-E and Eve on Earth so powerful that it overshadowed the basic spaceship utopia subplot taking up the second half, but he still enjoyed it overall for the atmosphere, the two main leads, and moral about saving Earth. |
Bolt |
He praises the story, voice acting, characters, and cuteness but wanted it to be more funny with more jokes. He says overall it's a decent film. |
|
2009 |
Up |
He declares that this is his favourite animated Pixar film (despite his praise for the Toy Story films) and one of the best animated movies ever made. He praises the story for its mix of comedy and drama, the characters, its ability to make silly ideas like dogs that talk and fly seem credible, and its overall excitement. The only criticism is the age of the protagonist and antagonist at old age when they were years apart when they were younger. |
2010 |
Toy Story 3 |
He praises the direction the film takes, having expected it after the second film, as well as the well developed villain, great suspense, great drama, plenty of intense scenes, and plenty of funny scenes, but admits to a few nitpicks he had about the barely looked over omission of Bo Peep, the scenes in the Day Care for being a little bit too dark and miserable and for not having the right balance between humor and intensity (by a small margin). He also criticizes the ending as very corny to see Andy giving away his toys individually. In the end, he still considers it a solid conclusion to a solid trilogy, and a great nostalgic film for everyone, but he just personally enjoyed the first two a little bit more. |
2011 |
Cars 2 |
He considers it a mediocre sequel to an already mediocre movie, heavily criticizing its premise, the confusing and complicated nature of the story, the unsubtle environmental message, the excessive amount of focus on Mater, the lack of screen time for other established characters, and a completely predictable and forgettable plot twist. He is especially outraged by the fact that Cars got a sequel, while better films, especially The Incredibles, didn't. Despite the film's problems, he did find the Japanese toilet scene in the film amusing. |
2012 |
Brave |
Similar to Dinosaur, he praises the look and mystique of the trailer but finds the movie to be cliched and rushed, using every other formula that Disney had done in the past, but admits he likes the mother-daughter relationship (something rarely touched upon in Disney), some of the characters, humor, animation and the third act. |
2013
In February 2013, Doug Walker started a spin-off series called Dreamworks-uary, where he reviews all of the DreamWorks animated films.
Year of |
Film |
Review |
|---|---|---|
1998 |
Antz |
He praises the design and voices of the characters (with the exception of Christopher Walken as Colonel Cutter), the relatively dark tone and atmosphere, and the scale of the insects. |
The Prince of Egypt |
Having talked about this twice on Nostalgia Critic, he heavily praises the story, characters, animation, visuals, music, and even the voice acting, as distracting as they can be. |
|
2000 |
The Road to El Dorado |
He likes the characters, funny writing, action sences (while not as good or grand as The Prince of Egypt) and commentary on gods, but admits the animation doesn't match the comedic tone (even comparing it to The Princess Bride). He also doesn't care for the songs, considering they were done by the composers of The Lion King. |
By Popular Demand
Doug Walker reviews specifically chosen Disney movies from the public.
Year of |
Film |
Review |
|---|---|---|
1988 |
Who Framed Roger Rabbit |
He feels that while everything in the film works, what really makes it memorable is the fact that it was the film every child always wanted to see, with all the animated characters together, which gives anyone who watches it the feeling of being a child again. |
1995 |
A Goofy Movie |
He admits that, while not among the best, it is still good for what it could have been, praising the artistry, relationship between Goofy and Max, romance, mature moments, use of modern technology, and the songs "After Today" and "Eye to Eye", though he is disappointed by the absence of Pete's family from the show, and makes note of some corny moments. |
2000 |
Dinosaur |
He praises the animation and live action mixing, but feels that the rest of the film is generic and cliched. |
2009 |
A Christmas Carol |
He has mixed feelings about this adaptation on the classic Christmas story (which already has many adaptations), praising the dark and suspensful moments, some of the voice acting, Jim Carrey's "okay" performances for at least trying despite being easily recognizable and some of the 3D effects (which he claims are good on TV as well), but pans the overuse of dark elements and how the Ghosts are portrayed (save for Christmas Yet-to-Come). |
External links
- Disneycember reviews at That Guy with the Glasses