Rerun van Pelt
Rerun van Pelt is Linus and Lucy's younger fictional brother in Charles M. Schulz's comic strip Peanuts. He is named when Lucy van Pelt, his sister, disparingly calls the situation a "rerun" of the birth of her brother Linus, Linus nicknames the child "Rerun". Despite Lucy's disappointment, she becomes a warm and protective older sister.
Rerun was a minor character in the strip when he was introduced in 1972, and in the 1980s he mostly appeared in sequences riding on the back of his mother's bicycle. However, in the late 1990s — the final years of the strip — he became a major presence, as Schulz felt that his main cast was "too old" for some of the themes he wanted to explore. In a 1997 interview in Comics Journal, Schulz admitted, "Lately, Rerun has almost taken over the strip."
Rerun made his first appearance in animation in the 1976 special It's Arbor Day, Charlie Brown, voiced by Vinnie Dow. He returned in the 1983 special It's an Adventure, Charlie Brown and the 1983-1986 series The Charlie Brown and Snoopy Show, voiced by Jason Mendelson, the four-year-old son of producer Bill Mendelson. Rerun was the main character in the 2003 special I Want a Dog for Christmas, Charlie Brown, with a storyline drawn from the strip's Rerun-heavy final years.
Initially, toddler Rerun was shown playing cards with an equally confused Snoopy,and learning to tie his shoes from Lucy.
For many years, Rerun was only seen perched in a seat on the back of his mother's bicycle, wryly commenting on his mother's riding skills and habits. Schulz, a careful observer of ordinary life, was inspired by the sight of young children strapped down for transport. "You look at these little kids hanging on to their elders..." he said, "and you wonder what goes through their minds." Rerun was "a kind of interpreter to those silent thoughts and impressions.
In the 1990s, Schulz began using Rerun as an opportunity to explore the grandparent/grandchild relationship. Rerun attends his first day of school on September 11, 1996, having spent the previous week hiding under the bed. Rerun ages to 5 years old at this point, still younger than most of the strip's other characters. In a 1997 interview, Schulz said, "We had a few grandchildren who had to start preschool and kindergarten, and I see little kids at the arena, too. I began to get some ideas and so he was the perfect one to have start kindergarten. He's different from Lucy and Linus. He's a little more outspoken. And I think he's going to be a little on the strange side... the way he is already. I just had him expelled from school for another day recently, just because he spoke up... He's perfect for that. The other kids are too old for this, really." In a sequence in January 1999, the Peanuts characters visit an art museum. In one single-panel wordless strip, the other children gaze at a large oil painting of a landscape, while Rerun, alone at the far right, looks at a small line drawing of the dog from comic strip Mutts. Despite this symbolic assertion that comic strips are equivalent to other forms of art, the next day's strip finds Rerun back in school, struggling with his own watercolor. "I think I learned something very important," he tells his classmate. "I'll never be Andrew Wyeth." One critic says that "here, Rerun is parroting Schulz's own self-deprecating attitude toward his own medium, comic art."
Ever the enigma, Rerun draws a curtain over Peanuts final installment of the annual ritual of Lucy pulling the football away just as Charlie Brown tries to place-kick it. In the 1999 Sunday strip, Rerun tells Lucy that their mother wants her to come home for lunch, and she leaves him to hold the football. Charlie Brown rushes toward the ball — but the audience never sees whether he successfully kicks it or not. Lucy returns and asks Rerun what happened, and he replies, "You'll never know." As one critic remarks, "Rerun's presence disrupts the repetitive force of the gag," replacing certainty in this climactic strip with "inexhaustible possibility."
In adaptations
Television
Rerun's animated debut is in the animated television special It's Arbor Day, Charlie Brown, and his first major appearance in the strip was adapted in the first produced episode of The Charlie Brown and Snoopy Show. Rerun only made one other appearance in a television special before 2000, ' from 1986, where his attempts to blow up balloons for the New Year's party ended in failure, as he blew them up as cubes rather than spheres (a scenario adapted from a comic strip story involving Linus from December 1954, when Linus was roughly the same age). Rerun was mentioned, but not seen, in the 1985 special "Snoopy's Getting Married, Charlie Brown" when Charlie Brown informed Snoopy that he could not back out of his wedding because Rerun had already been chosen as ring-bearer. Rerun was given speaking roles in Charlie Brown's Christmas Tales, and the 2003 special I Want a Dog for Christmas, Charlie Brown. This special uses Rerun as its primary character. but various local and regional productions have included Rerun as a character.
Rerun was a minor character in the strip when he was introduced in 1972, and in the 1980s he mostly appeared in sequences riding on the back of his mother's bicycle. However, in the late 1990s — the final years of the strip — he became a major presence, as Schulz felt that his main cast was "too old" for some of the themes he wanted to explore. In a 1997 interview in Comics Journal, Schulz admitted, "Lately, Rerun has almost taken over the strip."
Rerun made his first appearance in animation in the 1976 special It's Arbor Day, Charlie Brown, voiced by Vinnie Dow. He returned in the 1983 special It's an Adventure, Charlie Brown and the 1983-1986 series The Charlie Brown and Snoopy Show, voiced by Jason Mendelson, the four-year-old son of producer Bill Mendelson. Rerun was the main character in the 2003 special I Want a Dog for Christmas, Charlie Brown, with a storyline drawn from the strip's Rerun-heavy final years.
Initially, toddler Rerun was shown playing cards with an equally confused Snoopy,and learning to tie his shoes from Lucy.
For many years, Rerun was only seen perched in a seat on the back of his mother's bicycle, wryly commenting on his mother's riding skills and habits. Schulz, a careful observer of ordinary life, was inspired by the sight of young children strapped down for transport. "You look at these little kids hanging on to their elders..." he said, "and you wonder what goes through their minds." Rerun was "a kind of interpreter to those silent thoughts and impressions.
In the 1990s, Schulz began using Rerun as an opportunity to explore the grandparent/grandchild relationship. Rerun attends his first day of school on September 11, 1996, having spent the previous week hiding under the bed. Rerun ages to 5 years old at this point, still younger than most of the strip's other characters. In a 1997 interview, Schulz said, "We had a few grandchildren who had to start preschool and kindergarten, and I see little kids at the arena, too. I began to get some ideas and so he was the perfect one to have start kindergarten. He's different from Lucy and Linus. He's a little more outspoken. And I think he's going to be a little on the strange side... the way he is already. I just had him expelled from school for another day recently, just because he spoke up... He's perfect for that. The other kids are too old for this, really." In a sequence in January 1999, the Peanuts characters visit an art museum. In one single-panel wordless strip, the other children gaze at a large oil painting of a landscape, while Rerun, alone at the far right, looks at a small line drawing of the dog from comic strip Mutts. Despite this symbolic assertion that comic strips are equivalent to other forms of art, the next day's strip finds Rerun back in school, struggling with his own watercolor. "I think I learned something very important," he tells his classmate. "I'll never be Andrew Wyeth." One critic says that "here, Rerun is parroting Schulz's own self-deprecating attitude toward his own medium, comic art."
Ever the enigma, Rerun draws a curtain over Peanuts final installment of the annual ritual of Lucy pulling the football away just as Charlie Brown tries to place-kick it. In the 1999 Sunday strip, Rerun tells Lucy that their mother wants her to come home for lunch, and she leaves him to hold the football. Charlie Brown rushes toward the ball — but the audience never sees whether he successfully kicks it or not. Lucy returns and asks Rerun what happened, and he replies, "You'll never know." As one critic remarks, "Rerun's presence disrupts the repetitive force of the gag," replacing certainty in this climactic strip with "inexhaustible possibility."
In adaptations
Television
Rerun's animated debut is in the animated television special It's Arbor Day, Charlie Brown, and his first major appearance in the strip was adapted in the first produced episode of The Charlie Brown and Snoopy Show. Rerun only made one other appearance in a television special before 2000, ' from 1986, where his attempts to blow up balloons for the New Year's party ended in failure, as he blew them up as cubes rather than spheres (a scenario adapted from a comic strip story involving Linus from December 1954, when Linus was roughly the same age). Rerun was mentioned, but not seen, in the 1985 special "Snoopy's Getting Married, Charlie Brown" when Charlie Brown informed Snoopy that he could not back out of his wedding because Rerun had already been chosen as ring-bearer. Rerun was given speaking roles in Charlie Brown's Christmas Tales, and the 2003 special I Want a Dog for Christmas, Charlie Brown. This special uses Rerun as its primary character. but various local and regional productions have included Rerun as a character.
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