Ana Magaia

Ana dos Remédios Magaia (born 27 December 1958) is a Mozambican actress, producer and theatre performer. She has been active in stage, film, and television for more than four decades, becoming one of Mozambique’s most influential cultural figures. Magaia gained international recognition for her portrayal of Grandmother Catarina in João Ribeiro’s film Granma Nineteen and the Soviet’s Secret (2019), a role that earned her the Best Supporting Actress award at the Kisima Music & Film Awards in 2020. Her extensive body of work spans theatre, television and cinema, and she continues to advocate for professionalisation and education in Mozambique’s film industry.

Early life and education

Magaia was born in Lourenço Marques (now Maputo), Mozambique, on 27 December 1958. She is the daughter of José Francisco dos Remédios and Judite João Baptista Machalele. From an early age she participated in local community performances in Bairro do Aeroporto, where she developed an interest in music, dance and acting.

Career

Theatre

Magaia began her artistic career in theatre shortly after Mozambique’s independence in 1975. She was a member of the cultural troupe Tchova Xita Duma and appeared in post-independence stage productions such as Xiluva (1983), Rosita até Morrer by Luís Bernardo Honwana (1983), A Boa Pessoa de Sezuany by Bertolt Brecht (1986), and A Revolta da Casa dos Ídolos by Pepetela (1984).

In 2002, she participated in the Lusophone co-production Vim-te Buscar in Lisbon, Portugal, promoted by Cena Lusófona. Magaia continues to perform and direct in Maputo, often focusing on socially conscious and educational theatre.

Film and television

Magaia made her screen debut in the 1985 co-production O Tempo dos Leopardos, directed by Zdravko Velimirović. She gained national recognition with the 1994 television series Não é Preciso Empurrar, considered Mozambique’s first telenovela.

She has also worked behind the scenes as a casting director and assistant director in films such as África Dreaming (1997) and Terra Sonâmbula (2007).

Her later film roles include:

  • Mosquito (2020) – directed by João Nuno Pinto, as Namuku.
  • Granma Nineteen and the Soviet’s Secret (2019) – directed by João Ribeiro, as Grandmother Catarina.

Awards and recognition

Year

Award / Honour

Work / Category

Organisation / Event

Notes

2020

Best Supporting Actress

Granma Nineteen and the Soviet’s Secret

Kisima Music & Film Awards

Recognised for her performance as Grandmother Catarina.

2020

Presidential Commendation

Contribution to Mozambican cinema

Office of the President of Mozambique

Publicly congratulated by the President for artistic excellence.

2024

Cultural Honour

Lifetime contribution to Mozambican arts and culture

Televisão de Moçambique / Hlambetweni Cultural Association

Honoured in Marracuene alongside Noel Langa, Isau Meneses, and Marcelo Ponguane.

Cultural advocacy

Magaia is an advocate for arts education and for the professionalisation of the Mozambican film industry. She has welcomed the introduction of the country’s new Cinema and Audiovisual Law as a positive step toward greater stability and opportunity for artists. She continues to perform storytelling sessions and readings, including the 2023–2024 series Estórias com Ana Magaia at the Camões Centro Cultural Português in Maputo.

Selected filmography

Year

Title

Role / Position

Type

Notes

1985

O Tempo dos Leopardos

Supporting role

Film

Mozambican–Yugoslav co-production directed by Zdravko Velimirović.

1994

Não é Preciso Empurrar

Main cast

Television series

Regarded as Mozambique’s first telenovela.

1997

África Dreaming

Assistant director

Film

Worked behind the scenes in this short-film anthology.

2007

Terra Sonâmbula

Casting director

Film

Adaptation of Mia Couto’s novel.

2019

Granma Nineteen and the Soviet’s Secret

Grandmother Catarina

Film

Directed by João Ribeiro.

2020

Mosquito

Namuku

Film

Directed by João Nuno Pinto

Legacy

Magaia is widely recognised as a pioneer of post-independence Mozambican cinema and theatre. Her career spans more than forty years, during which she has mentored younger artists and contributed to the professionalisation of the Mozambican arts industry.