SPECTRALIQUID is an independent electronic music label, originating from Athens, Greece, founded in 2006.
In the limited music scene of Greece, Spectraliquid has made significant steps in promoting and hosting events with experimental artists from around the world, aiming towards a more modern view on underground expressions of music and visual arts.
Expressing a vast range of visionary electronic music, whether this is ambient, d'n'b, idm, abstract electronics, experimental music or noise, technoid, industrial etc. as well as supporting new media graphic and motion design, Spectraliquid stands out as a unique arts & music label.
Composers
Blackfilm, Mobthrow, Subheim, Xsoz / Also: Ah Cama-Sotz, Detritus, Flaque, Yttrium, Desperation & Fugue, Fabrics, Throttler, Track Killer, Psytech.
Visual Artists
Shane Bishop , Kostas K, VJ7, Evans, Snupdc, George K
In the limited music scene of Greece, Spectraliquid has made significant steps in promoting and hosting events with experimental artists from around the world, aiming towards a more modern view on underground expressions of music and visual arts.
Expressing a vast range of visionary electronic music, whether this is ambient, d'n'b, idm, abstract electronics, experimental music or noise, technoid, industrial etc. as well as supporting new media graphic and motion design, Spectraliquid stands out as a unique arts & music label.
Composers
Blackfilm, Mobthrow, Subheim, Xsoz / Also: Ah Cama-Sotz, Detritus, Flaque, Yttrium, Desperation & Fugue, Fabrics, Throttler, Track Killer, Psytech.
Visual Artists
Shane Bishop , Kostas K, VJ7, Evans, Snupdc, George K
The 13th Note is a live music venue in Glasgow's city centre at 50-60 King St, Glasgow, G1, Scotland, UK. During the day, it functions as a bar and vegetarian restaurant, and is a music venue in the evenings. The performers are largely rock and indie acts. Originally sited on Glassford Street, the 13th Note moved to King Street in the 1990s. It then relocated to the Clydeside briefly, before returning back to the King Street space, where it currently resides.
Below ground level is the main venue, which features gigs every evening. Performers range from local to national to international, with a broad spectrum of music styles: predominantly rock, metal and indie, though also occasionally folk, acoustic, blues and all forms of electronic acts. The 13th note often a good place to catch bands who are big in their own areas or countries, but are new to the UK and touring smaller venues to gain a foothold.
The venue space has been nicknamed the 'notecave,' because it is underground and windowless. The floorplan is rectangular, with the bar area running along the back half of one side wall and the stage area at the end of one of the shorter walls. Upstairs is a large airy bar space, with an adjacent vegetarian café.
Views of the stage are possible throughout. However, the stage area is not raised because of a low ceiling. This can inhibit views from some areas. With a capacity of 80-100 including the performers, it is known as an intimate performing venue. It also has excellent acoustics.
Below ground level is the main venue, which features gigs every evening. Performers range from local to national to international, with a broad spectrum of music styles: predominantly rock, metal and indie, though also occasionally folk, acoustic, blues and all forms of electronic acts. The 13th note often a good place to catch bands who are big in their own areas or countries, but are new to the UK and touring smaller venues to gain a foothold.
The venue space has been nicknamed the 'notecave,' because it is underground and windowless. The floorplan is rectangular, with the bar area running along the back half of one side wall and the stage area at the end of one of the shorter walls. Upstairs is a large airy bar space, with an adjacent vegetarian café.
Views of the stage are possible throughout. However, the stage area is not raised because of a low ceiling. This can inhibit views from some areas. With a capacity of 80-100 including the performers, it is known as an intimate performing venue. It also has excellent acoustics.
Werkplaats Typografie (WT) is part of ArtEZ Institute of the Arts. WT is a two-year master’s programme centred on practical assignments and self-initiated projects. It also serves as a meeting place for graphic designers with regard to research and dialogue. The WT is supervised by Karel Martens and Armand Mevis. Further guidance is given on a regular basis by Paul Elliman and Maxine Kopsa. Anniek Brattinga and Liesbeth Doornbosch are in charge of co-ordination. Visiting lecturers are regularly invited to provide individual tutoring and/or for presentations. Reviews of work, critiques and project participation are informal in character. Participants work in a professionally equipped studio accessible 24 hours a day. The WT is open to a maximum number of twelve graphic designers who would like to deepen their knowledge and skills. Participation depends entirely upon proven ability.
The program
The WT programme stimulates and practices critical reflection on the basis of a broad cultural perspective, with theory playing a supporting role. Participants engage in artistic research involving content and form, text and image, theory and practice, in relation to professional practice and supervised by leading designers. Alongside more theoretical research, participants work on real assignments for external clients. With these assignments participants learn to take on a leading role in the process of designing and realizing a final product. This includes dealings with several parties (editors, publishers, printers…) and handling the tensions between maintaining one’s artistic vision and answering to the wishes of the client. The WT programme roughly consists of three components: 1) Presentations, individual and group critiques, workshops; 2) Practical assignments and 3) theoretical orientation in the form of research, excursions and a final thesis.
Publications
* Dutch Resource: Collaborative Exercises in Graphic Design by Paul Elliman (Author), Maxine Kopsa (Author) and the participants of the Werkplaats Typografie.
* Nicosia This Week The book contains contributions by the three curators of the Manifesta 6: Mai Abu ElDahab, Anton Vidokle and Florian Waldvogel as well as Jan Verwoert, Paul Elliman, Yiannis Papadaki, Louise Tu' u and the participants of the Werkplaats Typografie.
* The Book and other Books by Julia Born, Lex Trüb and the participants of the Werkplaats Typografie.
* Playback for a Daydream by the participants of the Werkplaats Typografie.
* Walking on Splinters by the participants of the Werkplaats Typografie.
* On Lawrence Weiner by Guillaume Mojon
* In Alphabetical Order: File Under: Graphic Design, Schools, or Werkplaats Typografie, by Paul Elliman, Anthony Froshaug, Melle Hammer, Robin Kinross, Norman Potter, and Stuart Bailey, 2003, NAi Publishers. (ISBN 978-9056622725)
The program
The WT programme stimulates and practices critical reflection on the basis of a broad cultural perspective, with theory playing a supporting role. Participants engage in artistic research involving content and form, text and image, theory and practice, in relation to professional practice and supervised by leading designers. Alongside more theoretical research, participants work on real assignments for external clients. With these assignments participants learn to take on a leading role in the process of designing and realizing a final product. This includes dealings with several parties (editors, publishers, printers…) and handling the tensions between maintaining one’s artistic vision and answering to the wishes of the client. The WT programme roughly consists of three components: 1) Presentations, individual and group critiques, workshops; 2) Practical assignments and 3) theoretical orientation in the form of research, excursions and a final thesis.
Publications
* Dutch Resource: Collaborative Exercises in Graphic Design by Paul Elliman (Author), Maxine Kopsa (Author) and the participants of the Werkplaats Typografie.
* Nicosia This Week The book contains contributions by the three curators of the Manifesta 6: Mai Abu ElDahab, Anton Vidokle and Florian Waldvogel as well as Jan Verwoert, Paul Elliman, Yiannis Papadaki, Louise Tu' u and the participants of the Werkplaats Typografie.
* The Book and other Books by Julia Born, Lex Trüb and the participants of the Werkplaats Typografie.
* Playback for a Daydream by the participants of the Werkplaats Typografie.
* Walking on Splinters by the participants of the Werkplaats Typografie.
* On Lawrence Weiner by Guillaume Mojon
* In Alphabetical Order: File Under: Graphic Design, Schools, or Werkplaats Typografie, by Paul Elliman, Anthony Froshaug, Melle Hammer, Robin Kinross, Norman Potter, and Stuart Bailey, 2003, NAi Publishers. (ISBN 978-9056622725)
Axioms are the "universal truths" which form the basis from which mathematics evolved. In order for a student to understand how many realms of mathematics evolved, he/she needs to study and understand the different axioms in mathematics. With special reference to school curriculum, this article tries to list down the important axioms which are self-sufficiently self-explanatory. The aim of this article is to stimulate comprehension and trigger the minds of students to understand the way in which the complex structure of mathematics evolved. Keeping in mind the difficulty level of some axioms (esp. those from Groups), some topics of mathematics are deliberately omitted. The idea behind this move is that students can explore such axioms and topics at a higher level, say, in a graduate studies.
Geometry
1.Given two distinct points there is a unique line that passes through them.
2.A terminated line can be produced indefinitely.
3.A circle can be drawn with any centre and any radius.
4.All right angles are congruent.
5.If a straight line falling on two straight lines makes the interior angles on the same side of it taken together less than two right angles, then the two straight lines, if produced indefinitely, meet on that side on which the sum of angles is less than two right angles.
6.Through any point outside a line, there is exactly one parallel.
Number System
1.For any real number x, there exists a natural number y such that y is greater than x.
2.There is a set such that no set is an element of that set.
Geometry
1.Given two distinct points there is a unique line that passes through them.
2.A terminated line can be produced indefinitely.
3.A circle can be drawn with any centre and any radius.
4.All right angles are congruent.
5.If a straight line falling on two straight lines makes the interior angles on the same side of it taken together less than two right angles, then the two straight lines, if produced indefinitely, meet on that side on which the sum of angles is less than two right angles.
6.Through any point outside a line, there is exactly one parallel.
Number System
1.For any real number x, there exists a natural number y such that y is greater than x.
2.There is a set such that no set is an element of that set.