Notable streets known as Main Street
Canada
*, Vancouver, British Columbia
*
*Main Street Unionville, Unionville, Ontario
*, Ottawa, Ontario
Europe
*Main Street, Gibraltar
United States
*, Ellicott City, Maryland
*, Hampstead, Maryland
*, Reisterstown, Maryland
*, Westminster, Maryland
Canada
*, Vancouver, British Columbia
*
*Main Street Unionville, Unionville, Ontario
*, Ottawa, Ontario
Europe
*Main Street, Gibraltar
United States
*, Ellicott City, Maryland
*, Hampstead, Maryland
*, Reisterstown, Maryland
*, Westminster, Maryland
Not Another Savage Weekend
From , the free encyclopedia
Not Another Savage Weekend is a low-budget, direct-to-video sequel to the 1979 horror movie classic, Savage Weekend. It was produced in 1994 by the independent film company 6'7" 287 Lbs. Productions.
It had a limited release and did not feature any of the original cast and crew members. It did, however, loosely follow the storyline/groundwork laid out by the original film.
Tagline
"What the hell is that?"
Plot
Ten years after the events of the original Savage Weekend, the lone survivor of the group of upstate murder victims awakes from a decade-long coma. He begins his search for the "killr behind the mask" in an attempt to initially learn what happened to his friends and to later seek revenge.
From , the free encyclopedia
Not Another Savage Weekend is a low-budget, direct-to-video sequel to the 1979 horror movie classic, Savage Weekend. It was produced in 1994 by the independent film company 6'7" 287 Lbs. Productions.
It had a limited release and did not feature any of the original cast and crew members. It did, however, loosely follow the storyline/groundwork laid out by the original film.
Tagline
"What the hell is that?"
Plot
Ten years after the events of the original Savage Weekend, the lone survivor of the group of upstate murder victims awakes from a decade-long coma. He begins his search for the "killr behind the mask" in an attempt to initially learn what happened to his friends and to later seek revenge.
Introduction
These are the characters that you see in the film only. If any are missing, please notify User:Maccy555
The Warriors
** Cleon - The leader of 'The Warriors' he makes a claim to the gang about their job/promotion. He is the one who has the brains and knows when he is going to get into a fight and can defend himself with numerous fighting moves. Cleon is played by Dorsey Wright
** Swan - The main character out of the movie. After the meeting with Cyrus, Swan becomes War-Lord and guides the team back to Coney Island. Swan is played by Michael Beck.
** Ajax - Not the smartest, but proberly the most muscle. Ajax is one of the biggest pugilist ever known. He always likes top fight with gangs, even though he may get knocked out, but Ajax here, dosen't care. Ajax is played by James Remar.
** Cowboy - Cowboy is the one who get's knocked out by the Baseball Furies leader, meaning that Cowboy is not the toughest but he can fight when people aren't using objects. Cowboy is played by Tom Mckitterick.
** Snowball - Excellent fighter. Snowball can defend himself can knows when a fight is going to come in. He is always ready to fight against the cops or the other gangs. Snowball was played by Brian Tyler.
** Rembrandt - Proberly the weakest out of the group. He is a born grafiti writer. He sprays the 'W' symbol on the tombstone in the graveyard. Rembrandt was played by Marcelino Sanchez who died of cancer in 1986 (1958-1986).
** Chochise - A good fighter but can get dragged away or off the target when ladies are involved like in the lizzies apartement. Chochise was played by David Harris.
** Vermin - A good fighter but is too much like Cleon & Chocise. He seems to act both their personalities at the same time. Vermin was played by Terry Michos.
** Fox - Fox is the brains of the group. He has the info on every gang in the city. He is like a psychic, he knows the best route to get from A-B not only, can get his hands on weapons and figure out miscellanious plans. The Fox was played by Thomas Waites.
** Mercy - Mercy who hung out in the Bronx with the Oprhans, so low that they're not on the NYC map. Mercy decides to leave on go on the adventure back to Coney Island with the The Warriors. Mercy was played by Deborah Van Valkenburgh.
Gramercy Riffs
** Cyrus - Cyrus call the meeting in Van Cortlandt Park for the truce of the gangs. But it works out, but some has to spil it, Cyrus is shot by Luther but The Warriors get the blame. Cyrus was played by Roger Hill.
** Masai - Cyrus' bodyguard, when Cyrus dies, Masai takes over and wants The Warriors alive, if not, dead! Masai was played by Edward Sewer.
The Rogues
** Luther - Luther pins the blame on the Warriors at the meeting and at the end regrets it. Luther likes to hurt people and make them feel pain, even to his on gang members. Luther was played by David Patrick Kelly.
** Cropsey - Luther's side-kick/assistant, he helps Luther pin the blame on the Warriors but Luther & Cropsey regret it when the Riffs and onto them. Cropsey was played by Joel Weiss.
Radio
** DJ - The DJ's mouth can only be seen in the movie, but it is an excellent effect for ther movie. The DJ was played by Lynne Thigpen.
These are the characters that you see in the film only. If any are missing, please notify User:Maccy555
The Warriors
** Cleon - The leader of 'The Warriors' he makes a claim to the gang about their job/promotion. He is the one who has the brains and knows when he is going to get into a fight and can defend himself with numerous fighting moves. Cleon is played by Dorsey Wright
** Swan - The main character out of the movie. After the meeting with Cyrus, Swan becomes War-Lord and guides the team back to Coney Island. Swan is played by Michael Beck.
** Ajax - Not the smartest, but proberly the most muscle. Ajax is one of the biggest pugilist ever known. He always likes top fight with gangs, even though he may get knocked out, but Ajax here, dosen't care. Ajax is played by James Remar.
** Cowboy - Cowboy is the one who get's knocked out by the Baseball Furies leader, meaning that Cowboy is not the toughest but he can fight when people aren't using objects. Cowboy is played by Tom Mckitterick.
** Snowball - Excellent fighter. Snowball can defend himself can knows when a fight is going to come in. He is always ready to fight against the cops or the other gangs. Snowball was played by Brian Tyler.
** Rembrandt - Proberly the weakest out of the group. He is a born grafiti writer. He sprays the 'W' symbol on the tombstone in the graveyard. Rembrandt was played by Marcelino Sanchez who died of cancer in 1986 (1958-1986).
** Chochise - A good fighter but can get dragged away or off the target when ladies are involved like in the lizzies apartement. Chochise was played by David Harris.
** Vermin - A good fighter but is too much like Cleon & Chocise. He seems to act both their personalities at the same time. Vermin was played by Terry Michos.
** Fox - Fox is the brains of the group. He has the info on every gang in the city. He is like a psychic, he knows the best route to get from A-B not only, can get his hands on weapons and figure out miscellanious plans. The Fox was played by Thomas Waites.
** Mercy - Mercy who hung out in the Bronx with the Oprhans, so low that they're not on the NYC map. Mercy decides to leave on go on the adventure back to Coney Island with the The Warriors. Mercy was played by Deborah Van Valkenburgh.
Gramercy Riffs
** Cyrus - Cyrus call the meeting in Van Cortlandt Park for the truce of the gangs. But it works out, but some has to spil it, Cyrus is shot by Luther but The Warriors get the blame. Cyrus was played by Roger Hill.
** Masai - Cyrus' bodyguard, when Cyrus dies, Masai takes over and wants The Warriors alive, if not, dead! Masai was played by Edward Sewer.
The Rogues
** Luther - Luther pins the blame on the Warriors at the meeting and at the end regrets it. Luther likes to hurt people and make them feel pain, even to his on gang members. Luther was played by David Patrick Kelly.
** Cropsey - Luther's side-kick/assistant, he helps Luther pin the blame on the Warriors but Luther & Cropsey regret it when the Riffs and onto them. Cropsey was played by Joel Weiss.
Radio
** DJ - The DJ's mouth can only be seen in the movie, but it is an excellent effect for ther movie. The DJ was played by Lynne Thigpen.
Writer, poet, literary critic. Born in Italy and educated in different universities at graduate and post-graduate level. Previously a lecturer of literature in higher education in Milan, an ESOL tutor and lecturer, he now teaches English at Haberdashers' Aske's Hatcham College in London.
His earliest publications are in the late 90's, with atricles about composition, the Modernists and Derek Walcott. He has also published in 'The Guardian' and published a collection of short stories, Illuminations in 2004 and a collection of poetry Ybo' and Other Lies (ISBN 190061190) in 2005.
Ybo' and Other Lies collects his more experimental poems ('Ybo and 'Heaven from Hell') as well as some political poems, erotic poems and his 'Flickers'.
'Ybo is a hallucinatory journey into the subconscious, suspension dots represent inferential and subconscious links between lines and words that appear slurred and heavily apostrophated.
'Heaven from Hell' is a post-modernist and parodic journey among the dereliction of modern society. It is written in several languages including French, Latin, Italian and Ancient Greek, but is mainly in English. It clearly refers to T.S.Eliot's 'The Waste Land' in strucure and theme, but does not seem to find a solution at the end, the fragments remain fragments, the sould does not come to new life. Themes within the poem are war, the theatre as a symbol of life (the refrain'We cannot drop the curtain' may refer to suicide), ancient mythology and literature itself.
'Flickers' are short spiritual landscape with very visual images, strong, isolated sounds and harsh flavours.
A Bulla has also been praised for his refined erotic poetry, of which 'Between Dreams' is the most famous example.
In T. Harrison's words, Ybo' and other Lies is an exceptional collection of poetry for the literati as well as for the passionate amateur. It explores the human soul with heavy strokes of formal and structural haphazardness, smoky landscapes of the unconscious, picturesque watercolours and erotic photography. It sounds like Wagner in "Ybo'", like Beethoven in "Heaven from Hell", like Nick Cave in the "Flickers" and end with the most courageous musical option of all for such refined text: a genuine, bawdy, heart-felt sing-along.'
He is currently said to be working on a novel, Case Study and rumoured to have finished another novel to be published under a pen name.
Poetics
Adriano Bulla's poetics are quite complex.
There are three main periods in his poetic work, which are quite difficult to date
Influences
Bulla's work has been influenced by a plethora of writers. Looking at 'Heaven from Hell', we can see who he mainly pays homage to. These include Milton, T.S. Eliot, James Joyce , Dante, Baudelaire and Rimbaud. In the literary tradition, his work seems to follow the Metaphysical tradition and be heavily influenced by medieval poetry as well as Modernist literature. great/>erotic/>
Therefore, Bulla's place in the literary tradition could be seen as that of a modern metaphysical poet and a modernist or post-modernist writer. He consciously places himself amongst the most experimental writers of our time.
His earliest publications are in the late 90's, with atricles about composition, the Modernists and Derek Walcott. He has also published in 'The Guardian' and published a collection of short stories, Illuminations in 2004 and a collection of poetry Ybo' and Other Lies (ISBN 190061190) in 2005.
Ybo' and Other Lies collects his more experimental poems ('Ybo and 'Heaven from Hell') as well as some political poems, erotic poems and his 'Flickers'.
'Ybo is a hallucinatory journey into the subconscious, suspension dots represent inferential and subconscious links between lines and words that appear slurred and heavily apostrophated.
'Heaven from Hell' is a post-modernist and parodic journey among the dereliction of modern society. It is written in several languages including French, Latin, Italian and Ancient Greek, but is mainly in English. It clearly refers to T.S.Eliot's 'The Waste Land' in strucure and theme, but does not seem to find a solution at the end, the fragments remain fragments, the sould does not come to new life. Themes within the poem are war, the theatre as a symbol of life (the refrain'We cannot drop the curtain' may refer to suicide), ancient mythology and literature itself.
'Flickers' are short spiritual landscape with very visual images, strong, isolated sounds and harsh flavours.
A Bulla has also been praised for his refined erotic poetry, of which 'Between Dreams' is the most famous example.
In T. Harrison's words, Ybo' and other Lies is an exceptional collection of poetry for the literati as well as for the passionate amateur. It explores the human soul with heavy strokes of formal and structural haphazardness, smoky landscapes of the unconscious, picturesque watercolours and erotic photography. It sounds like Wagner in "Ybo'", like Beethoven in "Heaven from Hell", like Nick Cave in the "Flickers" and end with the most courageous musical option of all for such refined text: a genuine, bawdy, heart-felt sing-along.'
He is currently said to be working on a novel, Case Study and rumoured to have finished another novel to be published under a pen name.
Poetics
Adriano Bulla's poetics are quite complex.
There are three main periods in his poetic work, which are quite difficult to date
Influences
Bulla's work has been influenced by a plethora of writers. Looking at 'Heaven from Hell', we can see who he mainly pays homage to. These include Milton, T.S. Eliot, James Joyce , Dante, Baudelaire and Rimbaud. In the literary tradition, his work seems to follow the Metaphysical tradition and be heavily influenced by medieval poetry as well as Modernist literature. great/>erotic/>
Therefore, Bulla's place in the literary tradition could be seen as that of a modern metaphysical poet and a modernist or post-modernist writer. He consciously places himself amongst the most experimental writers of our time.