The Egyptian Center for Culture & Art (ECCA) was founded in 2003 to record and promote traditional music in Egypt. Traditional Egyptian music is increasingly in danger of being relegated to the status of an exotic and de-contextualised tourist curiosity or to a place on the shelves of academic archives far from the daily lives of its dwindling practitioners. ECCA aims to document, renew and present traditional music in Egypt as a vibrant and renewable resource, a multi-layered point of reference to the cultural richness of Egyptian music and arts. ECCA further encourages efforts to return the music to the critical role it has played in the daily life and imagination of the Egyptian people, to counter the trend to isolate it from its original communities and to share this rich resource with the world community. A number of strategies activities support these aims:
1-to systematically record, document and archive current practice so as to make it available to scholars, musicians and to an increasingly broad-based audience. ECCA's commitment to high technical standards of documentation, whether photographic, film or audio recordings facilitates the distribution of material beyond local audiences to television stations, festivals and photo exhibitions.
2-to promote an audio aesthetic that respects the integrity of the instruments and voices, an alternative to the aesthetic that imposes echo, reverb and other effects dominating the popular market.
3-to provide increased and diverse performance possibilities for its practitioners, thereby expanding the audience for this tradition, renewing the lively performer-audience relationship and increasing performers' opportunties for financial sustainability.
4-to organise encounters among a range of performing artists (musicians, poets, dancers, storytellers), as well as sound, video and light technicians involved in the performing arts, bringing them together in the context of workshops, rehearsals, facilitating their participation in festivals or just socialising. Makan offers these artists and technicians the basic and necessary infrastructure, together with an ambiance and spirit that can inspire the creation of new forms and traditions as a strategy for self-sustainability.
5-to expand its already substantial network of contacts in order to further cooperation and the establishment of partnerships with a wide range of cultural organisations and scholarly institutions from all over the world.
The value of cultural diversity to the human community, like the value of biological diversity to continued life on this planet cannot be underestimated. As the world shrinks, dominant ideologies, religions and cultural expressions overwhelm the margins and we lose essential elements of the creative process-our appreciation of difference, our freedom to choose, to experiment and to dream of alternatives. ECCA will continue to build on its activities and strategies to promote creative dialogue among people and cultures with special focus on Mediterranean and African people and to encourage perception of these traditions as important and critical to the human community.
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This article describes and notes the discography of DJ Sharpnel.
SRPC Naming System
Every album is categorized - possibly by date, release date, or style of music - into groupings of albums, or series (unofficial name). Each series is given an abbreviation used to categorize each album with a four digit number. This categorization corresponds to the series (the abbreviation) and the release order (thereby the numbers are sequential and often (see complications below) represent old and new). For example, the first album listed, "[sharpnel vs Project Gabbangelion]" released in 1998, has a series number of SRPC-0001 whereas the last album in the series, "Brain Violation.感脳侵蝕" released in 2006, has a series number of SRPC-0019. Also, the series number reflects upon a broader category, such as the SharpnelSound Hardstyle series; where all albums are released with the prefix SRPC and then followed by a dash and then an abbreviation in relation to the series, in this case denoted by an 'H.' Thus, every series number for the SharpnelSound Hardstyle Series look like, "SRPC-H#" where # denotes the release number.
This article is about the campaigns of contesting political parties and independent candidates for the 2006 Victorian State election in Australia in chronological sequence from the pre-election "phoney campaign" through the official election campaign which commenced after writs were lodged. The campaign will be concluded by the election on 25 November, 2006.
Campaign launches are used to formally kick-off campaigns, gain media coverage, and are usually supported by subsequent election campaign advertising.
The campaign is split in to two main phases; the phoney campaign when parties are positioning themselves in the lead up to the election and the formal campaign which commences after writs are lodged for the election on October 31, 2006