Conceptual Net Art is a Net Art category that derives from the Conceptual art of the 1960s and 1970´s and the Neo-conceptual art of the 1980 and 1990s. Conceptual Net Art applies to conventional conceptual art principles and it uses the internet as the only medium for implementation, execution and exhibition of the art works.
Conceptual Net Art as a term is for the first time used by Kosovar/Norwegian artist Bujar Bala and is listed on the Wilson E.A.T. list . His works titled "Series I - V" and the "net versions" of the traditional conceptual art pieces (like Yoko Ono´s "Touch" and Piero Manzoni`s Linea) are described as Conceptual Net Art pieces and he came up with the definition of the Conceptual Net Art .
The definition is "referential only" and it refers to two already established art movements , conventional conceptual art and internet art. According to Bala every conceptual art piece performed on internet is conceptual net art piece. Conceptual art and artists are opposing the art classification and the term is used to simplify and clarify art activities for the common user. Many other Internet art or net art pieces can be classified as a conceptual net art pieces. Works by jodi.org, net.art,, Carlos Katastrofsky, and other net artists.
Conceptual Net Art as a term is for the first time used by Kosovar/Norwegian artist Bujar Bala and is listed on the Wilson E.A.T. list . His works titled "Series I - V" and the "net versions" of the traditional conceptual art pieces (like Yoko Ono´s "Touch" and Piero Manzoni`s Linea) are described as Conceptual Net Art pieces and he came up with the definition of the Conceptual Net Art .
The definition is "referential only" and it refers to two already established art movements , conventional conceptual art and internet art. According to Bala every conceptual art piece performed on internet is conceptual net art piece. Conceptual art and artists are opposing the art classification and the term is used to simplify and clarify art activities for the common user. Many other Internet art or net art pieces can be classified as a conceptual net art pieces. Works by jodi.org, net.art,, Carlos Katastrofsky, and other net artists.
David Frederick Haight (born 1941) is professor of philosophy at Plymouth State University, USA, and has taught there for over 30 years. With a BA in philosophy from Stanford University and a masters and PhD in philosophy from Northwestern University, his work has aimed at the preservation of philosophy as "love of wisdom". In his view, this is to be reached through contemplation of the Platonic forms found throughout nature. He also believes that through meditation one effortlessly gains contact to the "unified field" by quietening down the mind and allowing it to experience consciousness at its most fundamental level.
In 1992, Haight ran for the US Senate under the Natural Law Party.
There is a Reply to David F. Haight in the 1998 book The philosophy of P.F. Strawson. Sir Peter Strawson was an influential spokesman for ordinary language philosophy.
In 2004, Haight and his wife Marjorie published their major contribution to the field of philosophy, The Scandal of Reason: or Shadow of God.
The book begins by covering the "Devaluation of Being" which it sees as emphasized by critical philosophers throughout history, and from there covers classical arguments for God's existence. Haight examines these arguments from the level of modern logic and then goes on to cover the knowledge gained in recent centuries concerning the theory of relativity and modern mathematics. The book concludes that truth itself is a "scandal" to our common understanding of reason and rational thought. True understanding is only acquired through "transrational" thinking and such thinking can only be cultured through contact with the infinite source in daily meditation.
In 1992, Haight ran for the US Senate under the Natural Law Party.
There is a Reply to David F. Haight in the 1998 book The philosophy of P.F. Strawson. Sir Peter Strawson was an influential spokesman for ordinary language philosophy.
In 2004, Haight and his wife Marjorie published their major contribution to the field of philosophy, The Scandal of Reason: or Shadow of God.
The book begins by covering the "Devaluation of Being" which it sees as emphasized by critical philosophers throughout history, and from there covers classical arguments for God's existence. Haight examines these arguments from the level of modern logic and then goes on to cover the knowledge gained in recent centuries concerning the theory of relativity and modern mathematics. The book concludes that truth itself is a "scandal" to our common understanding of reason and rational thought. True understanding is only acquired through "transrational" thinking and such thinking can only be cultured through contact with the infinite source in daily meditation.
The Advancing Australia Fairly Prize is a prestigious annual prize awarded to students enrolled in tertiary institutions in Australia. The prize ceremony, usually held at the New South Wales State Parliament, is often attended by prominent local politicians. The prize is divided into two sections, an essay section and a visual section, and all submissions are judged by an expert panel.
History of the prize
The prize was inaugurated in 2007. It was the brainchild of Ernie Friedlander OAM, who instituted the award to encourage young Australians to consider civic issues pertaining to Australia's diversity and multiculturalism.
Prizes
The first prize consists of a cash prize and certificate. There are also six runner-up prizes available.
Past winners
Past winners of this prize include:
*2008 - Cameron Burns (essay section), Damien Dry (visual section)
*2007 - Abhishek Kumar Verma (essay section), Sherley Visinoni, Wilari Tedjosiswoyo, & Salvatore Mangiafico (visual section)
History of the prize
The prize was inaugurated in 2007. It was the brainchild of Ernie Friedlander OAM, who instituted the award to encourage young Australians to consider civic issues pertaining to Australia's diversity and multiculturalism.
Prizes
The first prize consists of a cash prize and certificate. There are also six runner-up prizes available.
Past winners
Past winners of this prize include:
*2008 - Cameron Burns (essay section), Damien Dry (visual section)
*2007 - Abhishek Kumar Verma (essay section), Sherley Visinoni, Wilari Tedjosiswoyo, & Salvatore Mangiafico (visual section)
rhythmology - aka Malcolm Rycraft - is a composer of rhythmic, keyboard-based, electronic music. The music is full of rhythms which are combined, contrasted and generally used as building blocks, hence the name rhythmology, but there is also a strong element of lyricism and harmony. The music is rooted in the tradition of minimalism and can thus be described as post-minimalist, but it blurs musical styles and sometimes has the terms electronica, contemporary classical and ambient applied to it, with an eclectic range of influences including Steve Reich, Depeche Mode, Philip Glass, Graham Fitkin and Orbital.
His first works were composed for contemporary dance groups Écoutez and 4té, with performances at venues such as Chisenhale Dance Space and Jackson's Lane. Intended to be performed as a sequence of 'tableaux' to reflect the choreographic narrative, his music tends to be composed in shorter 'chunks', but because of their 'building block' construction they can be flexible in length.
Malcolm Rycraft studied piano at the Royal College of Music where he first discovered minimalist music, performing several minimalist works as both solo and ensemble pianist, and winning a prize for his thesis on The Music of Steve Reich. Here, under the tutelage of distinguished pianist Yonty Solomon, he also gave the world premiere of a work by Sorabji. He continued his studies at Goldsmiths College, gaining an MMus (Hons) in performance, and went on to give performances including an ensemble work by Louis Andriessen under Odaline de la Martinez at the Cardiff Contemporary Music Festival (also broadcast on the BBC) and all four of Graham Fitkin's works for 2 pianos/4 pianists alongside the composer himself at the Greenwich and Docklands Festival. Currently his main focus is composition.
rhythmology should not be confused with Active Rhythmology which has been the trading name of Steve Parker since 2002. Active Rhythmology provide facilitated rhythm activities where there is no audience and everyone participates to create improvised music using drums, percussion instruments, Boomwhackers, body percussion and vocals. All kinds of gatherings are rhythmologised, including settings such as corporate team building, school workshops and community groups. This kind of event is often referred to as a drum circle or drumming workshop.
His first works were composed for contemporary dance groups Écoutez and 4té, with performances at venues such as Chisenhale Dance Space and Jackson's Lane. Intended to be performed as a sequence of 'tableaux' to reflect the choreographic narrative, his music tends to be composed in shorter 'chunks', but because of their 'building block' construction they can be flexible in length.
Malcolm Rycraft studied piano at the Royal College of Music where he first discovered minimalist music, performing several minimalist works as both solo and ensemble pianist, and winning a prize for his thesis on The Music of Steve Reich. Here, under the tutelage of distinguished pianist Yonty Solomon, he also gave the world premiere of a work by Sorabji. He continued his studies at Goldsmiths College, gaining an MMus (Hons) in performance, and went on to give performances including an ensemble work by Louis Andriessen under Odaline de la Martinez at the Cardiff Contemporary Music Festival (also broadcast on the BBC) and all four of Graham Fitkin's works for 2 pianos/4 pianists alongside the composer himself at the Greenwich and Docklands Festival. Currently his main focus is composition.
rhythmology should not be confused with Active Rhythmology which has been the trading name of Steve Parker since 2002. Active Rhythmology provide facilitated rhythm activities where there is no audience and everyone participates to create improvised music using drums, percussion instruments, Boomwhackers, body percussion and vocals. All kinds of gatherings are rhythmologised, including settings such as corporate team building, school workshops and community groups. This kind of event is often referred to as a drum circle or drumming workshop.