H.B.M Fareez Rahman, is the nephew of former member of parliament Dr. H.B.M Iqbal, and the son of established businessman H.B.M Zahidur Rahman in Bangladesh. H.B.M Fareez Rahman, born in June 23, 1999, is a former student of International School Of Dhaka, and Australian International School. He is well known for his dad's establishment in the business quarter. His reputation went viral on various Social Media sources and Newspapers and channels alike when he had been drunk driving in Bangladesh's Capital in Gulshan, and rammed into 2 rickshaws that severely injured 4 persons and kills a child. The numbness of the administration and the police made an outburst from the social medias with his pictures of destruction, and motivated people pursued the High Court to seek justice. As a result, the High Court (HC) issued a rule seeking to know why legal actions against an underage driver, Fareez Rahman would not be taken for hitting two rickshaws with an SUV in Gulshan, leaving four persons injured.
The Shapers are a three-piece punk rock band from Toulouse, France formed in 2009. The band seeks to emulate the surf, skate, and snowboard aesthetic of the California skate punk lifestyle and has toured widely, having already played across three continents.
Biography
Though the punk rock scene in France has not found much mainstream attention, The Shapers have gained considerable domestic and international success, touring in Indonesia, China, and the US (where they shared the stage with bands such as NOFX and Pennywise). They released their first full-length album, Everybody Needs to Have a Dream, in 2012.
While most of their lyrical content is decidedly lighthearted, the band's songs have also touched on themes of environmentalism.<ref name="BoTB" />
The band cites Blink-182, Green Day, Sum 41, A Day To Remember, Nirvana, and Weezer as their primary influences.<ref name="SGV" />
Members
*Anthony Cauvin (vocals and guitar)
*Raphaël Bouissière (bass)
*Benoit Holin (drums)
Discography
*Everybody Needs to Have a Dream (2012)
Biography
Though the punk rock scene in France has not found much mainstream attention, The Shapers have gained considerable domestic and international success, touring in Indonesia, China, and the US (where they shared the stage with bands such as NOFX and Pennywise). They released their first full-length album, Everybody Needs to Have a Dream, in 2012.
While most of their lyrical content is decidedly lighthearted, the band's songs have also touched on themes of environmentalism.<ref name="BoTB" />
The band cites Blink-182, Green Day, Sum 41, A Day To Remember, Nirvana, and Weezer as their primary influences.<ref name="SGV" />
Members
*Anthony Cauvin (vocals and guitar)
*Raphaël Bouissière (bass)
*Benoit Holin (drums)
Discography
*Everybody Needs to Have a Dream (2012)
TIM WHITE-SOBIESKI
Terminals: Series of five videos (2001-2003)
Terminal I - Day At The Terminal (2001)
Terminal II - Terminal At Night (2002)
Terminal III - Terminal Dream (2003)
Terminal IV - On The Wing (2003)
Terminal V - Terminal Heart (2003)
The "Terminal" project by Tim White-Sobieski is a series of 5 one-channel videos that are about transitions in our lives, both emotional and physical. The artist lived and worked in immediate vicinity of the in New York in September 2001. 9/11 events directly influenced creation of the series "Terminal" because White-Sobieski could not stay in the city and took numerous flights across the country and overseas when the airplanes flew virtually empty in after-attack scare. In this series, air travel becomes a metaphor for the inconsistent or lost identity typical of contemporary art; the artist uses this metaphor in a sense to eliminate time and space itself as the template with which we view the world. The Terminal seems to be set for a multi-layered reconnaissance of globalization, "homeland security", faith, America and, ultimately, the consciousness of an average contemporary person. But "air travel" is still a metaphor that depends on a scheduled departure and arrival time, one that takes us on a predetermined flight path. Terminal manifests psychological landscapes ("mindscapes"), within an imaginative structure of time spent at an air terminal, rather than is merely concerned with the metaphor of departure. Rippling waves of ambient music and color stir up blissful trance. Soft lighting, soft sound and walls of windows that frame this video stream are full of the signature images and recurrent themes White-Sobieski develops from now on.
The first one is the ("Day At The Airport," 2001-02), the second - ("Terminal At Night", aka "Flight In The Night," 2002-03) and the third one - - were released in 2003. All videos have the background music by Brian Eno and J. Peter Schwalm from their album "Drawn From Life" (2001). The films present stand-alone loop animations recorded on DVD and are based on non-video animation techniques.
"Terminal 1" is a single channel video/sound installation. Terminal 1 contains imagery of the Charles de Gaulle Airport during the day, interchanging with abstract animations resembling oceanic waves. The aerial footage was shot over New York very few days after September 11.
The artist is raising the question of mediation and vicarious existence to the level of an art form, epitomizing the time bubble we live in, which is the parallel space generated by snippets of media images. It also marks the shift from real to hyper-real, which occurs when representation is replaced by the permanent simulation of a non-referential world, as Baudrillard states in "The Ecstasy of Communication".
TECHNICAL DETAILS ON THE PROJECTS:
Terminal I, (Terminal by Day) 2001-2002.
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 6:59 minutes. Music by Brian Eno & J. Peter Schwalm (soundtrack "Bloom" from the album "Drawn From Life", 2002) (Catalog)
Exhibition format: Plasma monitors or projections. Surround sound, 4 speakers
Terminal 2 (Terminal At Night), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 7:40 minutes. Music by Brian Eno & J. Peter Schwalm (soundtrack "Persis" from the album "Drawn From Life", 2002)
Terminal 3 (Terminal Dream), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 8:10 minutes. Music by Brian Eno & J. Peter Schwalm (soundtrack "Night traffic" from the album "Drawn From Life", 2002)
On The Wing (Terminal IV), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 12 minutes. Soundtrack by Brian Eno from the album "Music For Airports"
Terminal 5 (Terminal Heart), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 10 minutes. Music by Brian Eno & J. Peter Schwalm from the album "Drawn From Life", 2002
Bibliography
# [http://www.opacmeiga.rbgalicia.org/DetalleRexistro.aspx?CodigoBibliotecaPMB001&Rexistro783&Formato=ISBD TIM WHITE: TERMINAL, Exhibition catalog], Editorial: Museo de Bellas Artes Santander (Santander), Edición: 1ª; Fecha Edición: 2003 ISBN 84-88185-53-1
# [http://www.opacmeiga.rbgalicia.org/DetalleRexistro.aspx?CodigoBibliotecaPMB001&Rexistro783&Formato=ISBD Tim White: TERMINAL, Exhibition catalog], Published by Pilar Parra Gallery, 2003, Edition of 1000, Bilingual (English/Spanish) ISBN 0-9676171-46
Terminals: Series of five videos (2001-2003)
Terminal I - Day At The Terminal (2001)
Terminal II - Terminal At Night (2002)
Terminal III - Terminal Dream (2003)
Terminal IV - On The Wing (2003)
Terminal V - Terminal Heart (2003)
The "Terminal" project by Tim White-Sobieski is a series of 5 one-channel videos that are about transitions in our lives, both emotional and physical. The artist lived and worked in immediate vicinity of the in New York in September 2001. 9/11 events directly influenced creation of the series "Terminal" because White-Sobieski could not stay in the city and took numerous flights across the country and overseas when the airplanes flew virtually empty in after-attack scare. In this series, air travel becomes a metaphor for the inconsistent or lost identity typical of contemporary art; the artist uses this metaphor in a sense to eliminate time and space itself as the template with which we view the world. The Terminal seems to be set for a multi-layered reconnaissance of globalization, "homeland security", faith, America and, ultimately, the consciousness of an average contemporary person. But "air travel" is still a metaphor that depends on a scheduled departure and arrival time, one that takes us on a predetermined flight path. Terminal manifests psychological landscapes ("mindscapes"), within an imaginative structure of time spent at an air terminal, rather than is merely concerned with the metaphor of departure. Rippling waves of ambient music and color stir up blissful trance. Soft lighting, soft sound and walls of windows that frame this video stream are full of the signature images and recurrent themes White-Sobieski develops from now on.
The first one is the ("Day At The Airport," 2001-02), the second - ("Terminal At Night", aka "Flight In The Night," 2002-03) and the third one - - were released in 2003. All videos have the background music by Brian Eno and J. Peter Schwalm from their album "Drawn From Life" (2001). The films present stand-alone loop animations recorded on DVD and are based on non-video animation techniques.
"Terminal 1" is a single channel video/sound installation. Terminal 1 contains imagery of the Charles de Gaulle Airport during the day, interchanging with abstract animations resembling oceanic waves. The aerial footage was shot over New York very few days after September 11.
The artist is raising the question of mediation and vicarious existence to the level of an art form, epitomizing the time bubble we live in, which is the parallel space generated by snippets of media images. It also marks the shift from real to hyper-real, which occurs when representation is replaced by the permanent simulation of a non-referential world, as Baudrillard states in "The Ecstasy of Communication".
TECHNICAL DETAILS ON THE PROJECTS:
Terminal I, (Terminal by Day) 2001-2002.
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 6:59 minutes. Music by Brian Eno & J. Peter Schwalm (soundtrack "Bloom" from the album "Drawn From Life", 2002) (Catalog)
Exhibition format: Plasma monitors or projections. Surround sound, 4 speakers
Terminal 2 (Terminal At Night), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 7:40 minutes. Music by Brian Eno & J. Peter Schwalm (soundtrack "Persis" from the album "Drawn From Life", 2002)
Terminal 3 (Terminal Dream), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 8:10 minutes. Music by Brian Eno & J. Peter Schwalm (soundtrack "Night traffic" from the album "Drawn From Life", 2002)
On The Wing (Terminal IV), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 12 minutes. Soundtrack by Brian Eno from the album "Music For Airports"
Terminal 5 (Terminal Heart), 2003
1-channel digital video/ animation loop, HD format, released on DVD and Blu-ray, color, stereo loop, 10 minutes. Music by Brian Eno & J. Peter Schwalm from the album "Drawn From Life", 2002
Bibliography
# [http://www.opacmeiga.rbgalicia.org/DetalleRexistro.aspx?CodigoBibliotecaPMB001&Rexistro783&Formato=ISBD TIM WHITE: TERMINAL, Exhibition catalog], Editorial: Museo de Bellas Artes Santander (Santander), Edición: 1ª; Fecha Edición: 2003 ISBN 84-88185-53-1
# [http://www.opacmeiga.rbgalicia.org/DetalleRexistro.aspx?CodigoBibliotecaPMB001&Rexistro783&Formato=ISBD Tim White: TERMINAL, Exhibition catalog], Published by Pilar Parra Gallery, 2003, Edition of 1000, Bilingual (English/Spanish) ISBN 0-9676171-46
Andrew James Hogarth (born 31 May 1981) is a British businessman, the founder and managing director of Complete Claim Solutions Limited (CCS), one of the largest claims management companies in the United Kingdom.
Early life
Andrew Hogarth was born on 31 May 1981.
Career
Hogarth founded CCS in 2009 after having previously worked for Churchill Insurance and Prolegal in London. The firm specialises in using cold calling to generate leads for lawyers from people injured in accidents for which it receives a commission for each successful case. Its call centres make more than 7 million calls per year. CCS has offices in Brighton, Croydon, London, Leicester and Crawley. Hogarth is the sole shareholder of the firm which the claims to be one of the largest claims management companies in the United Kingdom. Hogarth is also a director of LA Law Limited (formerly Hogarth Law Limited) with his wife Lucy Hogarth (born 1986), a solicitor.
Personal life
Hogarth lives in West Sussex where he owns a home with six acres of grounds.<ref name=ST/>
Early life
Andrew Hogarth was born on 31 May 1981.
Career
Hogarth founded CCS in 2009 after having previously worked for Churchill Insurance and Prolegal in London. The firm specialises in using cold calling to generate leads for lawyers from people injured in accidents for which it receives a commission for each successful case. Its call centres make more than 7 million calls per year. CCS has offices in Brighton, Croydon, London, Leicester and Crawley. Hogarth is the sole shareholder of the firm which the claims to be one of the largest claims management companies in the United Kingdom. Hogarth is also a director of LA Law Limited (formerly Hogarth Law Limited) with his wife Lucy Hogarth (born 1986), a solicitor.
Personal life
Hogarth lives in West Sussex where he owns a home with six acres of grounds.<ref name=ST/>