Michael Pace-Sigge
(Michael Thomas Leonce Pace-Sigge nee Sigge) is German-born and Liverpool-based. Without ever having ever received formal arts or photography training, passion for the picture made him a self-trained semi-professional. Michael seems to have the right eye for the right place.
His work can be found on .
Michael Pace-Sigge is also a PhD Student at Liverpool University where he is currently studying the lexical properties of Scouse.
In other words: he is a corpus linguist who has a particular interest in the properties of Spoken Liverpool English. Some of his research can be found under – [http://www.m4pictures.co.uk/contact.html#English_Language_Research_]
Should all this be to heavy going – he also writes some short stories. He has done so since he was eight, but he has grown up now: he no longer writes in German, he tries English -
Apart from all that, Michael was born in the tiny spa of Salzkotten on 20.November 1970 and he claims the ancient medieval-looking Westphalian town of Soest as his town of origin.
He is also ex-married (to Christina Pace-Sigge, nee Christina Pace Butler) and the natural father of two daughters, Zoë (1994) and Larissa (2004).
M Pace-Sigge' s Artists' statement
"I fell in love with the city of Liverpool the moment I first arrived here (coming through the railway tunnel from the Wirral). I think, before, I had the potential to be interested in culture. Now, I cannot get enough of it and, at the same time, I always know that Liverpool has much much more to over than I could ever take in.
There are the performing arts: in the first week of my stay, I went to the Playhouse Theatre, and I kept going back ever after. I cannot remember how many budding and performing scriptwriters and actors I met since. I was taken aback by the visual attacks that modern art gave me at the Tate Liverpool and astonished to find such a wealth of paintings in the Walker Art Gallery (the second largest collection in the UK outside London). The Walker is part of National Museums Merseyside and I used to work there and the in Maritime Museum. Little surprise that I savoured what I was offered.
Whereas before I might have occasionally have visited a gallery or a museum, the wealth Liverpool has to offer inspires me to take visitors, friends - anybody really - to see and be impressed. And I have not even mentioned the live music yet!
So, I soaked up much of the culture Liverpool has to offer like the sea-breeze that fills your lungs down by the Mersey. Over the past ten years, I have worked (and continue to work occasionally) in the Everyman and Playhouse , Neptune and Unity Theatres . These days I am almost every night in the gorgeous Philharmonic Hall , exposed to a large variety of music. Working closely with the Royal Philharmonic Orchestra gives me unique access to observe the members at work – during rehearsals as well as during performances outside the Hall.
Last but not least, after volunteering in the Williamson's Tunnels and the Western Approaches HQ museums, I have also a reasonable insight in Liverpool’s later history.
Yet, day after day, I am still astonished what I discover when I look around me when turning a corner. Liverpool offers an incredible wealth of sights and impressions - and I try to re-form them in two dimensions.
Obviously, I am very biased toward Liverpool motives. However, it has become the ideal training ground that shaped and sharpened my perception over years. Consequently, wherever I go now, I am much more aware of my environment. Default thinking is now to try to figure out positions to take the ideal picture."
Sources: http://www.m4pictures.co.uk/statement.htm
(Michael Thomas Leonce Pace-Sigge nee Sigge) is German-born and Liverpool-based. Without ever having ever received formal arts or photography training, passion for the picture made him a self-trained semi-professional. Michael seems to have the right eye for the right place.
His work can be found on .
Michael Pace-Sigge is also a PhD Student at Liverpool University where he is currently studying the lexical properties of Scouse.
In other words: he is a corpus linguist who has a particular interest in the properties of Spoken Liverpool English. Some of his research can be found under – [http://www.m4pictures.co.uk/contact.html#English_Language_Research_]
Should all this be to heavy going – he also writes some short stories. He has done so since he was eight, but he has grown up now: he no longer writes in German, he tries English -
Apart from all that, Michael was born in the tiny spa of Salzkotten on 20.November 1970 and he claims the ancient medieval-looking Westphalian town of Soest as his town of origin.
He is also ex-married (to Christina Pace-Sigge, nee Christina Pace Butler) and the natural father of two daughters, Zoë (1994) and Larissa (2004).
M Pace-Sigge' s Artists' statement
"I fell in love with the city of Liverpool the moment I first arrived here (coming through the railway tunnel from the Wirral). I think, before, I had the potential to be interested in culture. Now, I cannot get enough of it and, at the same time, I always know that Liverpool has much much more to over than I could ever take in.
There are the performing arts: in the first week of my stay, I went to the Playhouse Theatre, and I kept going back ever after. I cannot remember how many budding and performing scriptwriters and actors I met since. I was taken aback by the visual attacks that modern art gave me at the Tate Liverpool and astonished to find such a wealth of paintings in the Walker Art Gallery (the second largest collection in the UK outside London). The Walker is part of National Museums Merseyside and I used to work there and the in Maritime Museum. Little surprise that I savoured what I was offered.
Whereas before I might have occasionally have visited a gallery or a museum, the wealth Liverpool has to offer inspires me to take visitors, friends - anybody really - to see and be impressed. And I have not even mentioned the live music yet!
So, I soaked up much of the culture Liverpool has to offer like the sea-breeze that fills your lungs down by the Mersey. Over the past ten years, I have worked (and continue to work occasionally) in the Everyman and Playhouse , Neptune and Unity Theatres . These days I am almost every night in the gorgeous Philharmonic Hall , exposed to a large variety of music. Working closely with the Royal Philharmonic Orchestra gives me unique access to observe the members at work – during rehearsals as well as during performances outside the Hall.
Last but not least, after volunteering in the Williamson's Tunnels and the Western Approaches HQ museums, I have also a reasonable insight in Liverpool’s later history.
Yet, day after day, I am still astonished what I discover when I look around me when turning a corner. Liverpool offers an incredible wealth of sights and impressions - and I try to re-form them in two dimensions.
Obviously, I am very biased toward Liverpool motives. However, it has become the ideal training ground that shaped and sharpened my perception over years. Consequently, wherever I go now, I am much more aware of my environment. Default thinking is now to try to figure out positions to take the ideal picture."
Sources: http://www.m4pictures.co.uk/statement.htm
The EverDead are a death rock/horror punk band formed in the spring of 2000, in the city of Grand Rapids, Michigan. The band was originally founded by guitarist Mr. Mysterious and vocalist Adam Dravean, although they quickly recruited Robert Baron on drums and Sam Straker on bass (both Robert and Sam had played with Adam in their previous band, "Decension") The band was formed mostly to attack the local music scene (which they felt was over saturated with pop punk, Christian hardcore, and nu metal bands), and also to spite the Conservative Christian populated city of Grand Rapids.
Early in their carer, The EverDead seemed more focused on instigating violence and making enemies in the local scene, than they did on their music, which consisted of an odd mixture of heavy metal and Misfits inspired horror punk. They soon achieved the status of one of the more banned and hated bands in Grand Rapids. The unorthodox nature of the band resulted in a constantly shifting lineup of musicians. Adam Dravean, and The Baron (who later switched over to bass playing duties) were the only constants.
By 2001, the band's second demo recording, entitled "One Bloody Night..." had gained popularity in the budding online horror punk community. The EverDead, who had made it their goal to create animosity and offend everyone, were surprised to find themselves gaining fans. The band began to focus more on their music, and with the addition of keyboardist, Michael Mortis, their music took more of turn towards goth/death rock, similar to the mid-'80s incarnation of The Damned. With the release of the "Slumber Party Massacre EP" on Halloween of 2002, The EverDead joined bands such as Cancerslug, Blitzkid, and Mister Monster at the forefront of the modern wave of horror punk.
Not long after releasing the "Slumber Party Massacre II" CD in August of 2003, The EverDead went on a year long hiatus. In late 2004, The EverDead got back together, and in 2005 they began working on their long postponed full length CD, entitled "Zombies, Werewolves, & Demons".
Sam Straker (AKA Sam Bones) and Robert Baron have been The EverDead's most prolific song writers, and almost all of the bands lyrics are the work of Adam Dravean. The EverDead have cited their main influences to be Glenn Danzig's three bands: The Misfits, Samhain, and Danzig, as well as The Damned, and The Dwarves. Other, lesser influences, include Balzac, Type O Negative, AFI, and Strung Out.
Artist Rob Villareal of Ravenous Media has created most of The EverDead's artwork. Ravenous Media is also responsible for much of the art of Cancerslug, a band The EverDead are friends with.
Group Members
Current Members
*Adam Dravean - lead vocals (2000-present)
*Robert Baron - bass, backup vocals (2002-present), drums (2000-2002)
*Sam Bones - guitar (2000, 2001-2002, 2003-present)
*Michael Mortis - keyboards (2001-present)
*Bludlux - drums (2002-present)
Past Members
*Evil Keith - bass (2004)
*Rodney Repulsive - guitar (2002-2003)
*Rants Mohammets - bass (2000-2001)
*Count Orlox - bass (2000)
*Mr. Mysterious - guitar (2000-2001)
Discography
* Bone You To Death (Demo EP) May 2000
* One Bloody Night... (Demo EP) September 2000
* The 7th House Demon MF's - Original Sin (Compilation CD) July 2002
* Another Bloody Night (Demo EP) July 2002
* Slumber Party Massacre (EP) October 2002
* I Want My Mommy (Demo EP) May 2003
* Slumber Party Massacre II August 2003
* Misfits Tribute - Too Much Horror Business (Compilation CD) November 2004
* Icons of the Underground: Volume 1 - Glenn Danzig (Compilation CD) October 2006
Early in their carer, The EverDead seemed more focused on instigating violence and making enemies in the local scene, than they did on their music, which consisted of an odd mixture of heavy metal and Misfits inspired horror punk. They soon achieved the status of one of the more banned and hated bands in Grand Rapids. The unorthodox nature of the band resulted in a constantly shifting lineup of musicians. Adam Dravean, and The Baron (who later switched over to bass playing duties) were the only constants.
By 2001, the band's second demo recording, entitled "One Bloody Night..." had gained popularity in the budding online horror punk community. The EverDead, who had made it their goal to create animosity and offend everyone, were surprised to find themselves gaining fans. The band began to focus more on their music, and with the addition of keyboardist, Michael Mortis, their music took more of turn towards goth/death rock, similar to the mid-'80s incarnation of The Damned. With the release of the "Slumber Party Massacre EP" on Halloween of 2002, The EverDead joined bands such as Cancerslug, Blitzkid, and Mister Monster at the forefront of the modern wave of horror punk.
Not long after releasing the "Slumber Party Massacre II" CD in August of 2003, The EverDead went on a year long hiatus. In late 2004, The EverDead got back together, and in 2005 they began working on their long postponed full length CD, entitled "Zombies, Werewolves, & Demons".
Sam Straker (AKA Sam Bones) and Robert Baron have been The EverDead's most prolific song writers, and almost all of the bands lyrics are the work of Adam Dravean. The EverDead have cited their main influences to be Glenn Danzig's three bands: The Misfits, Samhain, and Danzig, as well as The Damned, and The Dwarves. Other, lesser influences, include Balzac, Type O Negative, AFI, and Strung Out.
Artist Rob Villareal of Ravenous Media has created most of The EverDead's artwork. Ravenous Media is also responsible for much of the art of Cancerslug, a band The EverDead are friends with.
Group Members
Current Members
*Adam Dravean - lead vocals (2000-present)
*Robert Baron - bass, backup vocals (2002-present), drums (2000-2002)
*Sam Bones - guitar (2000, 2001-2002, 2003-present)
*Michael Mortis - keyboards (2001-present)
*Bludlux - drums (2002-present)
Past Members
*Evil Keith - bass (2004)
*Rodney Repulsive - guitar (2002-2003)
*Rants Mohammets - bass (2000-2001)
*Count Orlox - bass (2000)
*Mr. Mysterious - guitar (2000-2001)
Discography
* Bone You To Death (Demo EP) May 2000
* One Bloody Night... (Demo EP) September 2000
* The 7th House Demon MF's - Original Sin (Compilation CD) July 2002
* Another Bloody Night (Demo EP) July 2002
* Slumber Party Massacre (EP) October 2002
* I Want My Mommy (Demo EP) May 2003
* Slumber Party Massacre II August 2003
* Misfits Tribute - Too Much Horror Business (Compilation CD) November 2004
* Icons of the Underground: Volume 1 - Glenn Danzig (Compilation CD) October 2006
Term in Popular Culture, originating in the Simpsons in the EpisodeThe Last Temptation of Homer (see Moe's Tavern where an anonymous bar patron runs from the bar after Moe ridicules his name), the name (unabbreviated it is Joey Joe Joe Jnr Shabadoo) has evolved into a pop culture term of reference, such as John Galt, Nemo or John Smith, to give a name an imaginary person or character who is otherwise anonymous. There are thousands of examples, from exam questions featuring Joey Shabadoo as the protagonist in a hypothetical scenario, to anonymous posting on the internet. It is also generally regarded as the worst pseudonym one can adopt, stemming from its original use in the simpsons.
Giani Harcharan Singh was born in March 1904 at Nangal Labana in Kapurthala Sate. He passed middle standard examinationfrom Anglo-Vernacular English School, Nadala in 1921. He did Giani in 1926. Then he joined Shaheed Sikh Missionary College started by Shiromani Gurudwara Prabandak Committee in 1927 and studied there for two years. He also taught in same institution in 1929-30.
Giani Harcharan Singh was important leader of the Vihar Sudhar Lehar in the third decade of the twentieth century. He was the stage secretary of Vihar Sudhar conference arranged at Khokharwali in Sialkot district in 1925. He was ont of the close associates of Sant Prem Singh. His role in the politics is also noteworthy. He took part in the Non-Cooperation and Akali Movements and was imprisoned on 20th March 1922. He supported Sant Prem Singh in his elections for the Legislative Assembly in 1936 and 1946. He is still alive.
Source
* http://www.sikhiwiki.com/
* Text From Labana Sewak, 2005, Published in Chandigarh.
Giani Harcharan Singh was important leader of the Vihar Sudhar Lehar in the third decade of the twentieth century. He was the stage secretary of Vihar Sudhar conference arranged at Khokharwali in Sialkot district in 1925. He was ont of the close associates of Sant Prem Singh. His role in the politics is also noteworthy. He took part in the Non-Cooperation and Akali Movements and was imprisoned on 20th March 1922. He supported Sant Prem Singh in his elections for the Legislative Assembly in 1936 and 1946. He is still alive.
Source
* http://www.sikhiwiki.com/
* Text From Labana Sewak, 2005, Published in Chandigarh.